May 19, 2009
A Fortiori 16Price: $900.00
Dimensions: 30.000×40.000 inches 
Medium: One of a kind digital print Mixed Media
A Fortiori: Used to express a conclusion for which there is stronger evidence than for a previously accepted one.Example: If one can create a masterpiece, then it follows that one can create a mediocre piece, and if one can’t create a mediocre piece then it follows that one cannot create a masterpiece.
Masked
The masked handicraftby years of formulation,protecting the source.Cover me in masked remorse,as I kill you with hatred and force.Camouflage me in righteousness,as I decapitate you with succinctness.Paint me in loving kindness,as I pull out your eyes and mock your blindness.Drape me in dark contentment,as I insult your good will.Veil me in bright dancing hue,as I slice your dignity in two.Color me bright red,as I choose who will liveand who will be fed.You who skillfully fashions the facade.It is my destiny to wearthese wondrous masks.Our place as the shadow casts.In time and forever lasts.As long as pretense is its own reward.As long as pretext remains sharper than the sword.
All digital art created by me are “One Of A Kind” prints. This is so the original retains its integrity as the only one of its kind and as such will be signed by me or an appointed executor of my estate should I die before all my work has been sold.
Each work is printed on treated canvas with the highest quality pigment inks and fixed with four to five coats of UV Fixative. These works are created to stand the test of time and if properly cared for will last life times. 

If you wish to purchase a “One Of A Kind” signed digital 
print email me at ron@reller.com or call at (860) 267-6729.
Any unauthorized reproduction, public display, copying this image or portions of this image will constitute an infringement of copyright Ron Eller©

A Fortiori 16

Price: $900.00

Dimensions: 30.000×40.000 inches 

Medium: One of a kind digital print Mixed Media

A Fortiori: Used to express a conclusion for which there is stronger evidence than for a previously accepted one.
Example: If one can create a masterpiece, then it follows that one can create a mediocre piece, and if one can’t create a mediocre piece then it follows that one cannot create a masterpiece.

Masked

The masked handicraft
by years of formulation,
protecting the source.
Cover me in masked remorse,
as I kill you with hatred and force.
Camouflage me in righteousness,
as I decapitate you with succinctness.
Paint me in loving kindness,
as I pull out your eyes and mock your blindness.
Drape me in dark contentment,
as I insult your good will.
Veil me in bright dancing hue,
as I slice your dignity in two.
Color me bright red,
as I choose who will live
and who will be fed.
You who skillfully fashions the facade.
It is my destiny to wear
these wondrous masks.
Our place as the shadow casts.
In time and forever lasts.
As long as pretense is its own reward.
As long as pretext remains sharper than the sword.

All digital art created by me are “One Of A Kind” prints. This is so the original retains its integrity as the only one of its kind and as such will be signed by me or an appointed executor of my estate should I die before all my work has been sold.

Each work is printed on treated canvas with the highest quality pigment inks and fixed with four to five coats of UV Fixative. These works are created to stand the test of time and if properly cared for will last life times. 

If you wish to purchase a “One Of A Kind” signed digital 
print email me at ron@reller.com or call at (860) 267-6729.

Any unauthorized reproduction, public display, copying this image or portions of this image will constitute an infringement of copyright Ron Eller©

A Fortiori 19
Price: $900.00
Dimensions: 30.000×39.000 inches 
Medium: One of a kind digital print Mixed Media
A Fortiori: Used to express a conclusion for which there is stronger evidence than for a previously accepted one.Example: If one can create a masterpiece, then it follows that one can create a mediocre piece, and if one can’t create a mediocre piece then it follows that one cannot create a masterpiece.
Lady Lady blue
Ah lady lady blue.Some come in colors.She came to a deep golden fleshy hue.Her presence died on a slab of granite cried.To my God I prayed and lied.The unforgiving failure tried,taken by a deadly pull,I begin to slide.Down under I succumbto the penetrating ride.Then she‘s gone.She bled out,syphoned by guilt and doubt.This typical composition,all I have is my deposition.We all deserve some blame.I was only trying to get warm from the flame.We buckled like a twisted derailed train.Ah, lady, lady blue I miss you,lady, lady blue.
All digital art created by me are “One Of A Kind” prints. This is so the original retains its integrity as the only one of its kind and as such will be signed by me or an appointed executor of my estate should I die before all my work has been sold.Each work is printed on treated canvas with the highest quality pigment inks and fixed with four to five coats of UV Fixative. These works are created to stand the test of time and if properly cared for will last life times. 

If you wish to purchase a “One Of A Kind” signed digital 
print email me at ron@reller.com or call at (860) 267-6729.
Any unauthorized reproduction, public display, copying this image or portions of this image will constitute an infringement of copyright Ron Eller©

A Fortiori 19

Price: $900.00

Dimensions: 30.000×39.000 inches 

Medium: One of a kind digital print Mixed Media

A Fortiori: Used to express a conclusion for which there is stronger evidence than for a previously accepted one.
Example: If one can create a masterpiece, then it follows that one can create a mediocre piece, and if one can’t create a mediocre piece then it follows that one cannot create a masterpiece.

Lady Lady blue

Ah lady lady blue.
Some come in colors.
She came to a deep golden fleshy hue.
Her presence died on a slab of granite cried.
To my God I prayed and lied.
The unforgiving failure tried,
taken by a deadly pull,
I begin to slide.
Down under I succumb
to the penetrating ride.
Then she‘s gone.
She bled out,
syphoned by guilt and doubt.
This typical composition,
all I have is my deposition.
We all deserve some blame.
I was only trying to get warm from the flame.
We buckled like a twisted derailed train.
Ah, lady, lady blue I miss you,
lady, lady blue.

All digital art created by me are “One Of A Kind” prints. This is so the original retains its integrity as the only one of its kind and as such will be signed by me or an appointed executor of my estate should I die before all my work has been sold.

Each work is printed on treated canvas with the highest quality pigment inks and fixed with four to five coats of UV Fixative. These works are created to stand the test of time and if properly cared for will last life times. 

If you wish to purchase a “One Of A Kind” signed digital 
print email me at ron@reller.com or call at (860) 267-6729.

Any unauthorized reproduction, public display, copying this image or portions of this image will constitute an infringement of copyright Ron Eller©

A Fortiori 06Price: $900.00
Dimensions: 30.000×40.000 inches 
Medium: One of a kind digital print Mixed Media
A Fortiori: Used to express a conclusion for which there is stronger evidence than for a previously accepted one.Example: If one can create a masterpiece, then it follows that one can create a mediocre piece, and if one can’t create a mediocre piece then it follows that one cannot create a masterpiece.
Daring Genius
Daring GeniusHunkers Despondentin Swarthy Gradation.The cat’s emery board tonguewiped butt clean.Spitting his ballsand hocking-upmembranes.Eating crunchy, chewy,crippled critters.Crushed crookedon a wall.Slightly bent.
All digital art created by me are “One Of A Kind” prints. This is so the original retains its integrity as the only one of its kind and as such will be signed by me or an appointed executor of my estate should I die before all my work has been sold.Each work is printed on treated canvas with the highest quality pigment inks and fixed with four to five coats of UV Fixative. These works are created to stand the test of time and if properly cared for will last life times. 

If you wish to purchase a “One Of A Kind” signed digital 
print email me at ron@reller.com or call at (860) 267-6729.
Any unauthorized reproduction, public display, copying this image or portions of this image will constitute an infringement of copyright Ron Eller©

A Fortiori 06

Price: $900.00

Dimensions: 30.000×40.000 inches 

Medium: One of a kind digital print Mixed Media

A Fortiori: Used to express a conclusion for which there is stronger evidence than for a previously accepted one.
Example: If one can create a masterpiece, then it follows that one can create a mediocre piece, and if one can’t create a mediocre piece then it follows that one cannot create a masterpiece.

Daring Genius

Daring Genius
Hunkers Despondent
in Swarthy Gradation.
The cat’s emery board tongue
wiped butt clean.
Spitting his balls
and hocking-up
membranes.
Eating crunchy, chewy,
crippled critters.
Crushed crooked
on a wall.
Slightly bent.

All digital art created by me are “One Of A Kind” prints. This is so the original retains its integrity as the only one of its kind and as such will be signed by me or an appointed executor of my estate should I die before all my work has been sold.

Each work is printed on treated canvas with the highest quality pigment inks and fixed with four to five coats of UV Fixative. These works are created to stand the test of time and if properly cared for will last life times. 

If you wish to purchase a “One Of A Kind” signed digital 
print email me at ron@reller.com or call at (860) 267-6729.

Any unauthorized reproduction, public display, copying this image or portions of this image will constitute an infringement of copyright Ron Eller©

May 17, 2009
 
 

An Artists Statement,
As an artist of the twenty first century, my work is a multiplicity of mediums, starting with pen and pencil, oil paint on canvas, photography, watercolor and digital art. There appears to be some ill-conceived and mistaken bias regarding digital art. It generally comes from people whose limited exposure is the banality of “Photoshopism” or the triteness of fractal geometry. As with all prejudices there is a sliver of truth that outlines the origin. The fact is a great deal of digital art is extraordinarily bad. It must be understood that computer generated art is in its infancy. As with all prejudices in the end it shall come to rule. As long as mankind progresses, the future of all creative works will eventually become digital. This is inevitable and when people see it as a medium and an assured reality, they will start to view the work differently. Because of my strength as a designer along with better than average programming skills, I have been able to take digital to a different place. In so doing I have been criticized as being on the so-called cutting edge. It is such cliché and a misnomer. There is nothing more profound here other than following my nose to the next step.
 I have only been at this for a short seven or eight years. I often have to retell myself this when things aren’t going well. My background as a commercial artist has been somewhat beneficial. As a graphic designer it wasn’t personal, I always suspected most clients lacked taste. On rare occasions, however, I was able to work for some very gifted people who understood the relationship between marketing and good design, Most of the time I was able to work around any conflicts, which is the cornerstone of being a good graphic designer in corporate America.
Fine art is a different animal altogether. I don’t always know why I create what I create. I generally get why I choose a certain method for a specific piece and I trust my design sensibilities. What makes fine art more difficult is that it is intensely personal. ”Love me, love my art. Love my art, love me.” Without being pedestrian, I believe that what we are marketing is less art and more signatures. This is regrettable but it’s a truth that I have come to accept and by all appearances is validated. Picasso, Pollack, Warhol, Dali and numerous other artists relied on the cult of personality to propel them into fame that historically deemed the fortunate ones unique. If artists let their art speak and no artist could sign their work it would level the playing field and the value of a Picasso and a Warhol would be totally different. Regretfully this will never be nor should it be. For a long time I refused to sign my work because I felt it was promoting the corporate deception that if it came from Picasso, De Kooning, Motherwell ad infinitus it was valued as great art. That the signature was no more than a collectable autograph and it protected the art collections of the rich and famous.  There are quite a few Picasso’s I wouldn’t pay five bucks for. Regretfully my idealism is self-defeating. Knowing that we aren’t marketing the artwork as much as the person creating the work is an important distinction. Since I began my journey as a fine artist it became clear that everything I said or did was all part of the creative process. Every word I write, every song I compose, every scribble I scratch, and every word I speak is all my art. It was a difficult surrender to accept the notion that the stage I was on was life itself and for me there is no intermission.
The Internet is helping to level the playing field of famous twentieth century art and the contemporary twenty-first century artist. There are a growing number of artists who are benefiting from the exposure the net has afforded them. No longer is great visual art, musical accomplishment under the purview of Time Life, CBS or NBC. No longer are we assured untold fame and wealth because we made the cover of Time Life or People. The Internet has shifted the paradigm. There are a growing number of artists musical, visual and written who are experiencing modest fame because people have become more adept at finding artistic choices that are more personal and accessible on the net. Musically I am listening to a very mixed group of contemporary musical artists because I can go out and sample some obscure artist I really like. This again is unprecedented. We are on the edge and we are making history. Greatness is just not under the influence of a few magazines and national media. In this country we have the illusion of a free press however the reality is that a very significant small group of people have for many years decided what was real and what wasn’t beginning with Hearst, Rockefeller and Luce. I can still remember the black and white photos of Pablo Picasso on the cover of Life Magazine as they introduced Picasso as one of the great artists of the twenty first century. He made his first publications in 1949. I was two years old. The magazines were saved like gold and before I could read I would often go through our home made archives which consisted of boxes upon boxes of Post and Life magazines. Some how I knew at a very young age that what I was observing was significant for me. It was so because Life Magazine said so. Many years passed as I came to understand that most authority operated under a faulty illusion. It is true because they made it so. Now it’s time to say. ”Move over Picasso, R. Eller, is on his way over.” People are starting to exercise their choices beyond fame and big media.” Because the Internet has remained an essentially free and unfettered exchange of knowledge big media no longer has a strangle hold on the dissemination of information. Because the Internet is a grass roots medium people are making choices about fame and art that is more refined and personal. Historically this is unprecedented.
People who buy contemporary art want to know the artist. They want to put a face to the work. The Internet is not a great place to buy art. I would never advise anyone to buy an artwork sight unseen in the first person. However the Internet is a wonderful place to get acquainted before one becomes committed.
Looking Ahead,

An Artists Statement,

As an artist of the twenty first century, my work is a multiplicity of mediums, starting with pen and pencil, oil paint on canvas, photography, watercolor and digital art. There appears to be some ill-conceived and mistaken bias regarding digital art. It generally comes from people whose limited exposure is the banality of “Photoshopism” or the triteness of fractal geometry. As with all prejudices there is a sliver of truth that outlines the origin. The fact is a great deal of digital art is extraordinarily bad. It must be understood that computer generated art is in its infancy. As with all prejudices in the end it shall come to rule. As long as mankind progresses, the future of all creative works will eventually become digital. This is inevitable and when people see it as a medium and an assured reality, they will start to view the work differently. Because of my strength as a designer along with better than average programming skills, I have been able to take digital to a different place. In so doing I have been criticized as being on the so-called cutting edge. It is such cliché and a misnomer. There is nothing more profound here other than following my nose to the next step.

 I have only been at this for a short seven or eight years. I often have to retell myself this when things aren’t going well. My background as a commercial artist has been somewhat beneficial. As a graphic designer it wasn’t personal, I always suspected most clients lacked taste. On rare occasions, however, I was able to work for some very gifted people who understood the relationship between marketing and good design, Most of the time I was able to work around any conflicts, which is the cornerstone of being a good graphic designer in corporate America.

Fine art is a different animal altogether. I don’t always know why I create what I create. I generally get why I choose a certain method for a specific piece and I trust my design sensibilities. What makes fine art more difficult is that it is intensely personal. ”Love me, love my art. Love my art, love me.” Without being pedestrian, I believe that what we are marketing is less art and more signatures. This is regrettable but it’s a truth that I have come to accept and by all appearances is validated. Picasso, Pollack, Warhol, Dali and numerous other artists relied on the cult of personality to propel them into fame that historically deemed the fortunate ones unique. If artists let their art speak and no artist could sign their work it would level the playing field and the value of a Picasso and a Warhol would be totally different. Regretfully this will never be nor should it be. For a long time I refused to sign my work because I felt it was promoting the corporate deception that if it came from Picasso, De Kooning, Motherwell ad infinitus it was valued as great art. That the signature was no more than a collectable autograph and it protected the art collections of the rich and famous.  There are quite a few Picasso’s I wouldn’t pay five bucks for. Regretfully my idealism is self-defeating. Knowing that we aren’t marketing the artwork as much as the person creating the work is an important distinction. Since I began my journey as a fine artist it became clear that everything I said or did was all part of the creative process. Every word I write, every song I compose, every scribble I scratch, and every word I speak is all my art. It was a difficult surrender to accept the notion that the stage I was on was life itself and for me there is no intermission.

The Internet is helping to level the playing field of famous twentieth century art and the contemporary twenty-first century artist. There are a growing number of artists who are benefiting from the exposure the net has afforded them. No longer is great visual art, musical accomplishment under the purview of Time Life, CBS or NBC. No longer are we assured untold fame and wealth because we made the cover of Time Life or People. The Internet has shifted the paradigm. There are a growing number of artists musical, visual and written who are experiencing modest fame because people have become more adept at finding artistic choices that are more personal and accessible on the net. Musically I am listening to a very mixed group of contemporary musical artists because I can go out and sample some obscure artist I really like. This again is unprecedented. We are on the edge and we are making history. Greatness is just not under the influence of a few magazines and national media. In this country we have the illusion of a free press however the reality is that a very significant small group of people have for many years decided what was real and what wasn’t beginning with Hearst, Rockefeller and Luce. I can still remember the black and white photos of Pablo Picasso on the cover of Life Magazine as they introduced Picasso as one of the great artists of the twenty first century. He made his first publications in 1949. I was two years old. The magazines were saved like gold and before I could read I would often go through our home made archives which consisted of boxes upon boxes of Post and Life magazines. Some how I knew at a very young age that what I was observing was significant for me. It was so because Life Magazine said so. Many years passed as I came to understand that most authority operated under a faulty illusion. It is true because they made it so. Now it’s time to say. ”Move over Picasso, R. Eller, is on his way over.” People are starting to exercise their choices beyond fame and big media.” Because the Internet has remained an essentially free and unfettered exchange of knowledge big media no longer has a strangle hold on the dissemination of information. Because the Internet is a grass roots medium people are making choices about fame and art that is more refined and personal. Historically this is unprecedented.

People who buy contemporary art want to know the artist. They want to put a face to the work. The Internet is not a great place to buy art. I would never advise anyone to buy an artwork sight unseen in the first person. However the Internet is a wonderful place to get acquainted before one becomes committed.

Looking Ahead,

May 16, 2009
Ron Eller©
No passion impresses upon the soulso much As the unbridled lovedevoted in captivation, the creative seekingof the artist walking in God’s hand.Love beyond all love. Those so blessed are ordainedall inevitable pain does resideas the artfulness wiles lovers opiate.Knowing this truth, non can reside without the other.Art is our best and most painful lover. 

Ron Eller©

No passion impresses upon the soul
so much As the unbridled love
devoted in captivation, the creative seeking
of the artist walking in God’s hand.
Love beyond all love. 
Those so blessed are ordained
all inevitable pain does reside
as the artfulness wiles lovers opiate.
Knowing this truth, 
non can reside without the other.
Art is our best and most painful lover. 

There is another very important reason I joined the Homosexual rights group on facebook. It was because I have witnessed and experienced such suffering because, One refuses to accept One because of who One is. The deeper suffering yet of One refuses to accept One because of who One is. This pain can go on forever as a young man or woman discover the pain of self loathing when they should be dancing to the joy of self discovery. Because my friend died of a disease that was once uniquely homosexual. As some Christian fanatics up to their necks in faith perpetuates all ignorance and limited capacity that this horrible life ending suffering is God’s punishment. Life is God’s punishment by which I measure all pain. I joined the Homosexual rights group because this is not my God. I am here because my God has allowed me the joy to have been loved and I have loved a great and wonderful assortment of people. Bright, colorful, amazing people. People of gender and no gender, People of color and no color, People of faith and no faith, People of preference and no preference. I am here because I am weary that One refuses to accept One because of who One is. I believe someday we all can live as One.

There is another very important reason I joined the Homosexual rights group on facebook. It was because I have witnessed and experienced such suffering because, One refuses to accept One because of who One is. The deeper suffering yet of One refuses to accept One because of who One is. This pain can go on forever as a young man or woman discover the pain of self loathing when they should be dancing to the joy of self discovery. 

Because my friend died of a disease that was once uniquely homosexual. As some Christian fanatics up to their necks in faith perpetuates all ignorance and limited capacity that this horrible life ending suffering is God’s punishment. Life is God’s punishment by which I measure all pain. I joined the Homosexual rights group because this is not my God. I am here because my God has allowed me the joy to have been loved and I have loved a great and wonderful assortment of people. Bright, colorful, amazing people. People of gender and no gender, People of color and no color, People of faith and no faith, People of preference and no preference. I am here because I am weary that One refuses to accept One because of who One is. I believe someday we all can live as One.

May 15, 2009
[Flash 9 is required to listen to audio.]

Transient train move us to
the destination of our fugitive moment.
Epochs passing glance provide us a view,
of photographs in gausian focus,
spectrum pixels and data bits. 

The shutter clicks.
A pause for the picture album,
glued to archival walls
gathering dust and seasoned
upon the designated shelf. 

I roam the maze of halls.
Removed into the tunnel of self.
Passing trough time lapsed corridors,
trapped with in the arbitrary borders.
Recanting as I stair upon the apparition lost, 

This manifestation’s ere presence tossed
like a favorite hat upon a mindless rack.
It is the wiser eye that looks back.
The image cataracts, and burns
deceives and turns dim. 

Was it me or was it him.
My recollection flinches picking splinters.
Wisdom beams and quietly surrenders.
History is the ballast of drowning mentors.
Life reveals itself to it’s inventors.

April 26, 2009

The muse dance and delight
upon the midsummer night.
Wind song plays.
Euterpe guide my dancing brush
as I fumble through painterly haze,
negotiating the shapes maze.

I falter and begin again.
The muses of Apollo ascend.
The omen does in brilliant hue intend
my brush begins the dance once again.
Play your song fare friend.
Children of Zeus inspire my hand,
so my small gift will bear fruit. 

Amid the pebbles and sand 
an illuminated pearl brilliance strand,
speaks for those who can not sing,
liberates for those who can not stand,
cries for those who can not weep,
rest for those who can not sleep.

April 22, 2009
Title: Rebel’s BloodArtist: Ronald EllerMedium: Painting - Digital Art & Oil PaintingPrice: $3,800.00Dimensions: 30.000 x 40.000 inchesAbstract Expressionism is a descriptor used to cronicle an American post–World War II art movement that achieved worldwide influence. It was the first distinctive American Art Movement to achieve worldwide acclaim. It put New York City at the center of the art world, a role held by Paris for Centuries. However, the label “Abstract Expressionism” was first applied to describe works created by Wassily Kandinsky in Germany in 1919 in the magazine Der Sturm. It was used to describe German Expressionism and the beginning of a significant trend where artists sought to express themselves from an emotional plane of intensity and anti figurative aesthetics. The Influence of the pre war European schools such as Futurism, the Bauhaus and Synthetic Cubism was the direct precursor to the New York group of abstract Expressionists. The New York School were noted for their rebellious and highly idiosyncratic styles and nihilistic philosophies which influenced the beat generation. The beat generation of the fifties was the active forerunner of the hip or hippy movement and the Avant-Garde of the 60’s, 70’s. It is still very much alive as a source of influences from the vast explorations of Dada, Surrealism, Pop Art, and Graffiti as a legitimate art form. The musical expansion starting in the sixties of Rock and Roll, Jazz, and Classical Music became the voice of poetry and social revolution. The artistic rebellion was so vast and expressive the movement of abstract expressionism here in the United States and around the world are barely beginning to be understood. The power and influences of a movement that is still in the process of defining itself cannot be denied. The art of the 60’s and 70’s spurned on the movement of revolution and change so profound we have as yet to understand the impact which has lead to racial, sexual and cultural power shifts forever changing how governments rule. The radical shift in the paradigm of religious philosophies have literally and totally restructured the cultures of the world as we know it. The impact of the Abstract Expressionist Movement on the world cannot be minimized. We are still reeling from the impact. When Blues influenced Rock Concerts are being played at the Wu Miao Temple in old Dali in China one cannot underestimate the power of the Abstract Expressionist Movement which literally spawned all the cultural shifts we are now experiencing. This and the profound effect of advancing technology has brought us to place we are at today.From the richly decorated walls of dark caves at Lascaux France, to the heart of a rebellious artist, Vincent van Gogh, canonized by art itself, who’s style brought us paint of fully crafted strokes and spectrum swirls. A creation from god, perfect and pure, Not in all of mankind’s existence has there ever been another so profound, so solitary, so noteworthy. Aside from Jesus Christ there never has been one so misunderstood. Here prepared at Arles France. In this place Matisse Modigliani and Picasso drank their wine, toasted their fame and danced their dance. In the long shadow there meager presence could only have disappeared into the starry night. God bless Vincent and the rebels one and all, Their allegiance was centered to be true, of pure resolve their anthems sang as their brush of color upon the liberty bell rang, And their declaration came one after another, Pollack, Warhol, Gottlieb, Kline, Motherwell, De Kooning, De Niro, Diebenkorn, Hartigan, Reinhardt, Rothko, Yamamoto by the rebels blood our lives and culture was made. To always seek the truth as told through the pain of change and the rebels duty rearranged color and form and thought.It begins first with the image on the wall. From here the poet writes and the profit speaks and the music sings and change upon the winds blow. This is how it’s done. This is how it must go.

Title: Rebel’s Blood
Artist: Ronald Eller
Medium: Painting - Digital Art & Oil Painting
Price: $3,800.00Dimensions: 30.000 x 40.000 inches

Abstract Expressionism is a descriptor used to cronicle an American post–World War II art movement that achieved worldwide influence. It was the first distinctive American Art Movement to achieve worldwide acclaim. It put New York City at the center of the art world, a role held by Paris for Centuries. However, the label “Abstract Expressionism” was first applied to describe works created by Wassily Kandinsky in Germany in 1919 in the magazine Der Sturm. It was used to describe German Expressionism and the beginning of a significant trend where artists sought to express themselves from an emotional plane of intensity and anti figurative aesthetics. 

The Influence of the pre war European schools such as Futurism, the Bauhaus and Synthetic Cubism was the direct precursor to the New York group of abstract Expressionists. The New York School were noted for their rebellious and highly idiosyncratic styles and nihilistic philosophies which influenced the beat generation. The beat generation of the fifties was the active forerunner of the hip or hippy movement and the Avant-Garde of the 60’s, 70’s. It is still very much alive as a source of influences from the vast explorations of Dada, Surrealism, Pop Art, and Graffiti as a legitimate art form. The musical expansion starting in the sixties of Rock and Roll, Jazz, and Classical Music became the voice of poetry and social revolution. The artistic rebellion was so vast and expressive the movement of abstract expressionism here in the United States and around the world are barely beginning to be understood. The power and influences of a movement that is still in the process of defining itself cannot be denied. The art of the 60’s and 70’s spurned on the movement of revolution and change so profound we have as yet to understand the impact which has lead to racial, sexual and cultural power shifts forever changing how governments rule. The radical shift in the paradigm of religious philosophies have literally and totally restructured the cultures of the world as we know it. The impact of the Abstract Expressionist Movement on the world cannot be minimized. We are still reeling from the impact. When Blues influenced Rock Concerts are being played at the Wu Miao Temple in old Dali in China one cannot underestimate the power of the Abstract Expressionist Movement which literally spawned all the cultural shifts we are now experiencing. This and the profound effect of advancing technology has brought us to place we are at today.


From the richly decorated walls of dark caves at Lascaux France, to the heart of a rebellious artist, Vincent van Gogh, canonized by art itself, who’s style brought us paint of fully crafted strokes and spectrum swirls. A creation from god, perfect and pure, Not in all of mankind’s existence has there ever been another so profound, so solitary, so noteworthy. Aside from Jesus Christ there never has been one so misunderstood. Here prepared at Arles France. In this place Matisse Modigliani and Picasso drank their wine, toasted their fame and danced their dance. In the long shadow there meager presence could only have disappeared into the starry night. God bless Vincent and the rebels one and all, Their allegiance was centered to be true, of pure resolve their anthems sang as their brush of color upon the liberty bell rang, And their declaration came one after another, Pollack, Warhol, Gottlieb, Kline, Motherwell, De Kooning, De Niro, Diebenkorn, Hartigan, Reinhardt, Rothko, Yamamoto by the rebels blood our lives and culture was made. To always seek the truth as told through the pain of change and the rebels duty rearranged color and form and thought.

It begins first with the image on the wall. From here the poet writes and the profit speaks and the music sings and change upon the winds blow. This is how it’s done. This is how it must go.

Title: Vast Explorations Artist: Ronald Eller Medium: Painting - Digital Art & Oil Painting Price: $2,600.00 Dimensions: 30.000 x 40.000 inches

Title: Vast Explorations
Artist: Ronald Eller
Medium: Painting - Digital Art & Oil Painting
Price: $2,600.00
Dimensions: 30.000 x 40.000 inches